February 4, 2011
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A sense of Australia ‘doing right’ to ‘get somewhere’ or to ‘forge ahead’, existed in contrast to the 21st Century’s ’spin doctoring’, with its continual reference to a variety of complicated monetary graphs and charts. The Australian term ‘fair dinkum’ was a colloquial expression put to use to denote an opinion that was genuinely held with no reservations. ‘Fair Go’ was connected using the producing of reasonable judgemental policies plus the term ‘using your Nous’ was one more favorite term, referring to utilizing one’s common-sense. Master tradesman generally exhorted their apprentices to make use of their Nous to solve problems.
A fair dinkum Aussie Pollie, in that bygone era, used his or her Nous to make certain a fair deal, and such an individual became a nicely respected Australian politician. The Australian Federal Minster, Simon Crean, had earned such a reputation, together with the rough and tumble criticism from those who place earnings ahead of all else.
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This medical science, now established by three 1996 Nobel Laureates in Chemistry, is emerging onto the world stage, in total defiance of the 20th Century’s fixed life-science world-view. Australia, thanks to Simon Crean, holds a prominent position inside its wonderful futuristic global potential, in which the importance of the Platonic tradition of Greek philosophy, to fuse ethics into the Nous, is of paramount importance within the functioning of the new chemistry.
During 1995, as the Minister for Employment, Education and Training, Simon Crean’s Department investigated an application by the Science-Art Research Centre in Australia to develop into An Australian Government Approved Research Institute. The scientific hostility toward the Centre’s work was such that its mathematical life-force theories, reprinted in 1990 as 1 of the 20th Century’s necessary discoveres, by the world’s largest investigation institute based in Washington, the IEEE SPIE Milestone series, was treated with hostile contempt in Australia.
The profitable application type clearly explained that the Centre’s objective was to bring to Australia an understanding of a brand new science and technologies beyond the potential of Australian educational system to comprehend. In 1995 the Australian Department of Taxation agreed that monies had been spent on the research, which had been given adequate Governmental approval in 1979. Therefore, the work of the Centre could not be thought to be to be inconceivable. Minister Simon Crean, appeared to have personally weighed up this quite contentious concern and made the decision on giving the Centre a fair go. Ironically, the analysis was directly associated to using the physics structure of the Classical Greek science of life, derived from the ancient concept of the Nous. Simon Crean, has develop into an important political figure for future history books, as being an Australian politician that put to use his Nous when other influential Australians could not.
Recently, the NASA High Energy Astrophysics Division Library, published the argument that the Nous was based upon a fractal life-science logic that can not conceivably be accepted inside the general understanding of present science. Relevant analysis by Florence University’s New measurement of Humanity Project, was endorsed on the the 24th of September, 2010, with the “Giorgio Napolitano Medal” being bestowed upon its organisers, Professors Paolo Manzelli and Massimo Pregnolato, for study performed by their Quantumbionet/Egocreanet New Renaissance Project.
In his Guest Editorial within the Journal of Consciousness Exploration & Research concern of the Quantum Brain/Mind/Consciousness November 2010 (Part II), Professor Massimo Pregnolato’s paper, entitled Time for Quantum Consciousness, contained a precise mention of the work of the Science-Art-Research Centre of Australia. Reference was given towards the Centre’s Space-Time Model becoming mentioned within the June 2007 edition of NeuroQuantology.
Plato’s spiritual, or holographic optic engineering principles, translated into Fullerene synergistic forces that influence protein functioning inside the DNA, remains an impossible world-view concept within the Australian educational system. Nanotechnology has proven, beyond all doubt, that this cultural understanding is nothing but an ignorant and barbaric relic of the Dark Ages.
Plato’s optical principles, postulated by the Science-Art Research Centre of Australia, as belonging to the functioning of optical physics responsible for artistic creativity, is no longer just theory. The Centre had the very good fortune to prove, via viewing paintings via unique optical lenses, that some artists had been unconsciously painting holographic images into their work for centuries. The hidden images are now so evident that the Italian Renaissance’s laws of optical artistic perspective have been superseded by the Australian discovery.
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