May 30, 2010
Do The Best With Your Canon 500D
Canon 500 D’s CMOS (complementary metal oxide semiconductor) sensor captures images with exceptional clarity and tonal range and offers the most pixels in its class. It offers many of the same new technologies as used by Canon’s professional cameras to maximize each pixel’s light gathering efficiency. Its APS-C size sensor creates an effective 1.6x field of view (compared to 35mm format). Canon’s DIGIC 4 Image Processor dramatically speeds up all camera operations for intuitive operation and offers improvements in both fine detail and natural color reproduction. It works in concert with the EOS Rebel T1i’s image sensor to achieve unprecedented levels of performance in all lighting situations.
With the Canon 500D, analog to digital conversion of the signal is executed by a 14-bit processor, which generates digital data with incredibly smooth tones. A feature that originally appeared in top-of-the-line pro digital SLR cameras, the 14-bit conversion gives incredibly smooth transitions from light to dark colors with far less risk of “banding”. A sky at dusk is a absolute example. With this rich 14-bit gradation, the Canon Rebel T1i offers RAW images of the highest quality that can be processed with Canon’s Digital Photo Professional software. Even JPEG files, which are always finished at 8-bits per channel, use the full 14-bit conversion initially to generate the best possible color and tonal detail.
Especially for beginners looking to expand their photographic horizons, the EOS Rebel T1i offers Creative Auto mode. While basal settings are based on abounding automated operation, cutting guides on the LCD awning accredit you to accomplish corrections based on simple to chase guidelines. In essence, with Creative Auto mode, you can apprentice about photography while demography beauteous photographs.
The Canon 500D’s Auto Lighting Optimizer is yet another image-quality tool that comes to the rescue in tricky lighting conditions. It can actually lighten dark areas of a scene while ensuring that bright areas maintain tonal detail. It’s available in all shooting modes, including P, Tv, Av and Manual.